The Trash at Night featured in Issue 4, Summer

Review: Maureen O’Leary: Record, 23 January 2023

Three paintings featured, Spring, 2022:41-42.

Dualties over dichotomies: Maureen O’Leary at Cristin Tierney Gallery. Review by Vittoria Benzine, May, 2022

Interview about the exhibition “Portraits of Ireland’s Easter Rising Leaders” with NYU curator Pamela Jean Tinnen and historian Dr. Miriam Nyhan Grey, recorded on Vimeo, 18 April 2022

“Modern Stillness. Maureen O’Leary’s ‘Both/And’ at Cristin Tierney Gallery Review by Audra Lambert, 2022

“Maureen O’Leary addresses Ireland’s 1916 Easter Rising at NYU’s Kimmel Windows Gallery, Kerry Da Silva Cox, 10 May 2022

Artist talk: Maureen O’Leary in conversation with Jennifer Hock, Arts Club of Washington, 2021

“Joan Linder and Maureen O’Leary turn the suburbs surreal.” Review by Shawn Ghassemitari, 2021

“Slightly Surreal Suburbia-Cristin Tierney Gallery.” Review by Heather Zises, 2 August 2021

“D.C. is a city of grand monuments and federal buildings. These photos capture the often unseen poetic details.” Book review by Kelsey Ables, July 30, 2021

Vulture editors, “Notable new releases over the next two weeks. Joan Linder and Maureen O’Leary in Slightly Surreal Suburbia.” Review by Jessica Silvester, 2021

“Maureen O’Leary’s “Record”, reverential photographs that are meditations on the systems, structures, functions, and duties of governement.” Review by Anthony Huffman, 2021

“21 Artists to Watch in 2021: Part 3 of the Movers and Shakers Series.” Interview by Audra Lambert, 2021

“What we create my save us at Ejecta Projects.” Review Review by Joseph and Barrie Ann George in The Sentinel, 2020

“NIMBY,” review in Medium by A.W. Strouse of Not in My Backyard at Public Swim, New York, New York, 2020

Video by Dorsey Shaw accompanying ‘Not in my backyard’ at Public Swim, 2020

“Not in my backyard: Interview with Maureen O’Leary” in  Fine Art Globe by H. Zises, 2020

“Ely Center strikes a climate nerve,” review by Brian Slattery of the exhibition What Surrounds at the Ely Center of Contemporary Art, New Haven Independent, 30 October 2019

Review by A. Lambert of the exhibition What Surrounds at the Ely Center of Contemporary Art,

Delicious Line, 2019

“Anthropocene Blues at Wayfarers captures our ephemeral moment,” review by A. Lambert of the exhibition at Wayfarers gallery curated by Jane Ursula Harris, Ante. Arts Mag, 2019

Fondation des Etats-Unis video retrospective of the 2018 Paris exhibition “Squaring the Circle”

“Visions of Liberty, Rooms with Views,” a review by C. A. K. Gellert of the exhibition Squaring the Circle at the Fondation des Etats-Unis, Transatlantica: Revue d'études américaines, 2018

Fondation des Etats-Unis video retrospective of the 2018 Paris exhibition Squaring the Circle

“When you hear the word palazzo,” a review by Alexandra Sokolova of the exhibition “Lasciare la Terra” at the Palazzina Liberty, Artsy, 2018.

Gemellaggio Artistico Bologna-New York, video interview 1, CNA Bologna, 2018

Gemellaggio Artistico Bologna-New York, video interview 2, CNA Bologna, 2018

“Gemellaggio Artistico Bologna-New York,” a review by the Confederazione Nazionale dell'Artigianato e della Piccola e Media Impressa of the exhibitions Lasciare la Terra at the Palazzina Liberty and Blow Against the Walls at Wayfarers, 2018

“Three artists consider nature of awareness at Loveland's Artspace Gallery,” a review by Paul Albani-Burgio of the exhibition Language of Perception at Artspace, Loveland Reporter-Herald, 2018

Review by Athena Axiomakaros of the exhibition What's not to like but everything at the Earlville Opera House, Artsy, 2017

Article by Poet A. W. Strouse on the chicken painting series, One Rooph, 2017

“Perry and Carlson: A new game in town by Stephen Hunter, a review of the exhibition The Reconsidered Landscape at Perry and Carlson gallery,” Cascadia Weekly (O'Leary's painting on cover), 2016

Review by Patricia Hanan of the exhibition at New York Arbor gallery in the The Wave, 2016